To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behaviour or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
The technical storage or access that is used exclusively for statistical purposes.
The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
The Gentle Good – Ruins / Adfeilion
£8.00 – £20.00
BWR027 (LP/CD/DL) Vinyl will be a limited edition 2 colour pressing and includes a download code.
Gareth Bonello’s fourth album; Ruins/Adfeilion, is one that’s title alone serves best to reflect the disparate themes within. Although not represented by a single concept, the songs have common themes of history, identity and social commentary. The title refers to a realisation that there is no true freedom to make the world as we would choose, but instead have to live amongst the ruins of previous generations. Some of these ruins are beautiful links to our past, providing a sense of place and cultural identity for instance, whilst others are dangerous obstacles that hinder our progress.
Description
As the follow-up to 2013’s Y Bardd Anfarwol (The Immortal Bard) – an ambitious intercontinental project during which Bonello travelled to Chengdu, China, to create a project combining both Welsh and Chinese traditions – Ruins/Adfeilion looks much closer to home, but with no lesser global outlook. Gwen Lliw’r Lili (Gwen colour of the Lilly) is a fitting album opener – being a traditional Welsh folk song from the Maria Jane Williams Collection, Ancient National Airs of Gwent and Morgannwg (1844) – and an outward statement on the influence that the continuing influence of Welsh folk music on his writing. The guitar instrumental Un i Sain Ffagan (One for Saint Fagans), for instance, is Bonello’s own ode to his former place of employment, Saint Fagans National History Museum, and the spot where he himself first discovered traditional Welsh music.
Many of the songs featured here pay tribute to the past whilst others address, in very direct terms, contemporary issues.
Additional information
CD, Vinyl